{"id":1269,"date":"2021-04-20T13:34:42","date_gmt":"2021-04-20T11:34:42","guid":{"rendered":"https:\/\/www.danielgubelmann.ch\/media\/press\/"},"modified":"2026-05-28T12:25:49","modified_gmt":"2026-05-28T10:25:49","slug":"press","status":"publish","type":"page","link":"https:\/\/www.danielgubelmann.ch\/en\/media\/press\/","title":{"rendered":"Press"},"content":{"rendered":"[mk_page_section bg_image=”http:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2017\/03\/hintergrund.jpg” bg_image_portrait=”http:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2017\/03\/hintergrund-mobile.jpg” attachment=”fixed” bg_position=”center center” bg_stretch=”true” full_height=”true” padding_top=”0″ padding_bottom=”0″ sidebar=”sidebar-1″][vc_column][mk_padding_divider size=”120″][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][mk_fancy_title size=”24″ font_weight=”bold” txt_transform=”uppercase” margin_bottom=”5″ font_family=”none”]Press[\/mk_fancy_title][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][vc_column_text css=”.vc_custom_1686055198947{margin-bottom: 0px !important;}”]”Both ensembles shine with their differentiated sound, made possible by Gubelmann’s impressive and complex arrangement. The string orchestra is not only used as a sound carpet, as is occasionally heard in other works, but here has an equal role alongside the jazz quartet, which performs at an equally high level – both ensembles merge into one.” (Das Orchester)<\/strong><\/p>\n

\u201eThe charm of this music lies in its diversity, which results from different styles, genres and eras. An impressive symbiosis of the foreign and the familiar is achieved, which invites you on a journey through the very special cosmos of this music. It is a pleasure to follow the highly professional formation on its journey through ever new, surprising worlds of sound.\u201c (Klassik Begeistert)<\/strong><\/p>\n

\u201eA masterpiece!\u201c (O-Ton)<\/strong><\/p>\n

\u201eSymphonic expressiveness and jazz improvisation become equal components. It is precisely here that the sovereignty of this encounter between the Musikkollegium Winterthur and the jazz quartet led by Daniel Gubelmann becomes apparent.\u201c (NRW Jazz Net)<\/strong><\/p>\n

\u201eThe focus is on Gubelmann’s velvety sound on the soprano or tenor saxophone. In terms of playing technique, the saxophonist is second to none\u201c (Klassik Heute)<\/strong><\/p>\n

“The performances, crisp, stylish, and tonally lovely, are reproduced in excellent sound. If Eternal Movement breaks no new ground either in concept or execution, it nonetheless provides an hour of attractive and engaging music.\u201c (Fanfare Magazine, USA)<\/strong><\/p>\n

\u201eDaniel Gubelmann’s saxophone playing fits perfectly with the string sound as well as the jazz combo. With its full, sonorous tone, it offers the whole range from contemplative to expressive-virtuoso. The whole composition tells an exciting and varied story with many surprising twists and turns – if you hear the beginning, you will want to listen to the CD to the end.\u201c (Das Orchester)<\/strong>[\/vc_column_text][mk_padding_divider][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1779963385021{margin-bottom: 0px !important;}”]Review – Anastacia live at the symphony – Saxsolo Daniel Gubelmann \/ Luzerner Zeitung \/ (Schweiz, 2026)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2021\/10\/luzerner-zeitung-logo-1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1731059584979{margin-bottom: 0px !important;}”]Interview, composer & saxophonist Daniel Gubelmann \/ Der Landbote \/ (Switzerland, 2024)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2020\/02\/logo_landbote.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1731059691472{margin-bottom: 0px !important;}”]Interview – Portrait, FIVE ON FIRE feat. Casal Quartett \/ Jazz & World Aktuell – SRF 2 Kultur \/ (Switzerland, 2024)\u00a0<\/a><\/p>\n\nhttps:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2024\/11\/2241029-jazz-und-world-aktuell.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2024\/11\/logo-srf-kultur.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1731059743545{margin-bottom: 0px !important;}”]Interview – Portrait, FIVE ON FIRE feat. Casal Quartett \/ Jazz Classics – SRF 2 Kultur \/ (Switzerland, 2024)\u00a0<\/a><\/p>\nhttps:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2024\/11\/241026-jazzclassics.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2024\/11\/logo-srf-kultur.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1686055063292{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ Das Orchester \/ (Germany, 2023)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2023\/06\/logo_dasorchester.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1668097008334{margin-bottom: 0px !important;}”]Portrait, Album ETERNAL MOVEMENT \/ Jazz ‘n’ more \/ (Switzerland, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/11\/jazznmorelogo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664535413357{margin-bottom: 0px !important;}”]Interview, Album ETERNAL MOVEMENT \/ RITMO \/ (Spain, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/09\/logo-ritmo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1668097119459{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ Klassik begeistert \/ (Germany, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/11\/logo_klassik_begeistert.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1677767327584{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ Schweizer Musikzeitung \/ (Switzerland, 2023)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2023\/03\/logo_smz.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1675267404750{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ Fanfare Magazine \/ (USA, 2023)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2023\/02\/logo_fanfare.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1669986119337{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ Musicologie \/ (France, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/12\/logo_musicologie.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664535360752{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ NRWJazz.net (Germany, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/09\/logo-nrwjazz.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664535234957{margin-bottom: 0px !important;}”]Interview, Album ETERNAL MOVEMENT \/ NRWJazz.net (Germany, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/09\/logo-nrwjazz.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1672763601082{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ O-Ton (Germany, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2023\/01\/logo_o_ton.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1672763676632{margin-bottom: 0px !important;}”]Podcast, Album ETERNAL MOVEMENT \/ O-Ton (Germany, 2022)<\/a><\/p>\nhttps:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2023\/01\/cd-eternal-movement-gubelmann-zerban-221228.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2023\/01\/logo_o_ton.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1666706174766{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ Klassik Heute (Germany, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/10\/logo_klassik_heute.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1666706239714{margin-bottom: 0px !important;}”]CD of the day, Album ETERNAL MOVEMENT \/ Radio Klassik (Austria, 2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/10\/logo_radio_klassik.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1689338172147{margin-bottom: 0px !important;}”]Review, Album ETERNAL MOVEMENT \/ American Record Guide (USA, 2023)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2023\/07\/logo_americanrecordguide.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1689338195003{margin-bottom: 0px !important;}”]FIVE ON FIRE feat. Musikkollegium Winterthur – Press-Dossier \/ No-Te (2022)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/05\/no-te-logo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1635342702104{margin-bottom: 0px !important;}”]Ronan Keating live at the symphony – KKL Luzern – Soloist Daniel Gubelmann \/ Luzerner Zeitung (2021)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2021\/10\/luzerner-zeitung-logo-1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Article about the musician Daniel Gubelmann \/ Der Landbote (2020)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2020\/02\/logo_landbote.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Interview, Radio Lora, Jazz National (2018)<\/a><\/p>\nhttp:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2018\/03\/daniel-gubelmann-auf-radio-lora-2018.m4a<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2017\/07\/logo_radio_lora_2018.jpg”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Article and CD review \/ Jazz ‘n’ more (2016) <\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”https:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2022\/11\/jazznmorelogo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Reviews \/ Press TOURNEE 2016 (2016)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/fofsalogopresse1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Interview, Radio Lora, Jazz National (2014)<\/a><\/p>\nhttp:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/140914_interview_radio_lora.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2017\/07\/logo_radio_lora_2018.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Reviews \/ Interviews TOURNEE 2013 (2013)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/fofsalogopresse1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Press TOUR 2013 (2013)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/fofsalogopresse1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1664535750464{margin-bottom: 0px !important;}”]CD review, “poems without words” in Concerto, Austria (2013)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/concertologo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]CD Review, “poems without words” 5 Stars on CeDe.ch (2013)
\n<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/presse1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Interview, SRF2 Kultur, Jazz Aktuell (2013) <\/a><\/p>\nhttp:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/130924_interview_srf2.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/srf-logo1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Interview, Radio Kanal K (2011)<\/a><\/p>\nhttp:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/11_interview_kanal_k.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/kanakklogo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Article “Z\u00fcri Rundschau” (2009)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Interview, Radio DRS2 (2007)<\/a><\/p>\nhttp:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/07_interview_drs2.mp3<\/a><\/audio>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/srf-logo1.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]JAZZ TIME (2007)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/jazztimelogo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]JAZZthing (2007)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][mk_image src=”http:\/\/www.fiveonfire.ch\/wp-content\/uploads\/2017\/02\/jazzthinglogo.jpg” image_size=”full”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner width=”1\/2″][vc_column_text]Article Glarnerzeitung (2006)<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][mk_padding_divider][\/vc_column][\/mk_page_section]\n","protected":false},"excerpt":{"rendered":"

[mk_page_section bg_image=”http:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2017\/03\/hintergrund.jpg” bg_image_portrait=”http:\/\/www.danielgubelmann.ch\/wp-content\/uploads\/2017\/03\/hintergrund-mobile.jpg” attachment=”fixed” bg_position=”center center” bg_stretch=”true” full_height=”true” padding_top=”0″ padding_bottom=”0″ sidebar=”sidebar-1″][vc_column][mk_padding_divider size=”120″][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][mk_padding_divider size=”20″][mk_fancy_title size=”24″ font_weight=”bold” txt_transform=”uppercase” margin_bottom=”5″ font_family=”none”]Press[\/mk_fancy_title][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1503395815276{background-color: rgba(244,228,205,0.9) !important;*background-color: rgb(244,228,205) !important;}”][vc_column_inner][vc_column_text css=”.vc_custom_1686055198947{margin-bottom: 0px !important;}”]”Both ensembles shine with their differentiated sound, made possible by Gubelmann’s impressive and complex arrangement. 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